When the Robotapocalypse comes, the computers will know how to recognize us thanks to Google.
Tech Crunch | Read the Full Article
Read the original Google research paper here.
When the Robotapocalypse comes, the computers will know how to recognize us thanks to Google.
Tech Crunch | Read the Full Article
Read the original Google research paper here.
The LA Times’ Hero complex interviews Brett Culp, the director of a documentary that examines the hero mythos of Batman and how the dark knight is inspiring people to do good.
LA Times | Read the Full Article
David Poland spends 30 minutes with the incomparable Al Pacino talking about his life and career as well as his new film “The Humbling”
SoundWorks Collection talks with Supervising Sound Editor and Sound Designer Richard King about the sound teams extensive work on Director Christopher Nolan’s immersive sci-fi film Interstellar.
His familiar work as a screenwriter goes all the way back to Freejack in 1992. More recently, Reel Steel and The Bourne Legacy. But now he’s put on the writer/director hat with the remarkable Nightcrawler, which stars Jake Gyllenhaal as a true creature of darkness, created by business as usual in L.A. Gilroy spoke to David Poland about the film and the soul.
The high levels of noise pollution in New York City instigated the formation of a noise abatement commission. Steven explains how innovator Harvey Fletcher became part of this movement and created a roving ‘noise laboratory’ that measured the amount of sound on the streets of the city.
On November 9th, 1825, long before the invention of the electric light bulb, Scottish inventor Thomas Drummond would test a new kind of lamp that would forever but synonymous with theater.
Why is J.R.R. Tolkien’s Lord of the Rings trilogy so compelling? How about The Matrix or Harry Potter? What makes these disparate worlds come alive are clear, consistent rules for how people, societies — and even the laws of physics — function in these fictional universes. Author Kate Messner offers a few tricks for you, too, to create a world worth exploring in your own words.
Perhaps you already caught Interstellar over the weekend. Which format did you see it in?
Bonus – here’s what it looks like in the 70mm projection booth for IMAX:
Chris Weaver on some tips for Directors and DPs to work more harmoniously on set.
Through the Lens | Read the Full Article