VIDEO PODCAST: Shauna MacDonald (writer/director/actress) of Tru Love (Canada)

Indie Film Nation Video Podcast #061: Shauna MacDonald (co-writer/director & actress) of Tru Love (Canada), 2013, dramatic feature film.

Shauna MacDonald is an accomplished actress in both television and feature films with 79 credits with appearances in Saw 3D:The Final Chapter, Degrassi: The Next Generation

Shauna co-directors this touching story with Kate Johnston about TRU, 37, who is a serial bed-hopping lesbian who cannot commit to a relationship or a job for long, until she meets ALICE, 60, a beautiful widow, who has come to town at the last minute to visit her daughter, SUZANNE, 35, a too-busy corporate lawyer and Tru’s friend. Alice and Tru begin to forge an unlikely friendship.

For more information on Tru Love visit the official website, twitter, facebook, Vimeo and youtube

Tru Love is available in the USA on DVD from Wolfe Releasing and will be screening at the 2015 Mardi Gras Film Festival in Sydney Australia on the 20th February 2015.

Tru Love has collected an impressive array of awards during its festival release.

WINNER! Audience Award, Best Dramatic Feature
Fort Worth Q Film Festival

WINNER! Audience Award, Best Women’s Film
Pittsburgh’s Real Q Film Festival

WINNER! Best Actress, Kate Trotter
Iris Prize Festival

WINNER! OUTtv People’s Choice for Best Feature Film
Vancouver Queer Film Festival

WINNER! Audience Award for Best Women’s Feature
North Carolina Gay & Lesbian Film Festival

WINNER! Audience Award for Best Feature
Gaze International Film Festival, Dublin, Ireland

WINNER! Audience Award for Best Feature
Out Takes New Zealand

WINNER! Best Actress, Kate Trotter (tie)
San Diego Gay & Lesbian Film Festival

WINNER! Best International Film
San Diego Gay & Lesbian Film Festival

WINNER! Audience Award, Best Feature
Inside Out Toronto LGBT Film Festival

WINNER! Emerging Canadian Filmmaker Award
Inside Out Toronto LGBT Film Festival

WINNER! Best Feature Film
Kashish Mumbai

WINNER! Best Actress, Kate Trotter
Kashish Mumbai

WINNER! Audience Award, Best Feature
Outfilm CT, Connecticut Gay & Lesbian Film Fest

Shauna MacDonald (writer/director/actress) of Tru Love (Canada)

Indie Film Nation Video Podcast #061: Shauna MacDonald, co-writer and director of Tru Love, Canada, 2013, dramatic feature film which screened at the Raindance Film Festival http://www.raindance.org

http://www.indiefilmnation.com

Shauna co-directors this touching story with Kate Johnston about TRU, 37, who is a serial bed-hopping lesbian who cannot commit to a relationship or a job for long, until she meets ALICE, 60, a beautiful widow, who has come to town at the last minute to visit her daughter, SUZANNE, 35, a too-busy corporate lawyer and Tru’s friend. Alice and Tru begin to forge an unlikely friendship.

For more information on Tru Love visit the http://www.trulovethefilm.com

Host: Nina Hatchwell http://www.ninahatchwell.com
Camera/Editor: Peter Miranda http://petermiranda.com

FILM AWARDS: 2015 Golden Globe Nominations

You can watch the nominations announcement here

Here is the full list of nomination:

BEST MOTION PICTURE – DRAMA

BOYHOOD
IFC Productions and Detour Filmproduction; IFC Films

FOXCATCHER
Annapurna Pictures; Sony Pictures Classics

THE IMITATION GAME
Black Bear Pictures; The Weinstein Company

SELMA
Paramount Pictures and Pathé; Paramount Pictures

THE THEORY OF EVERYTHING
Working Title Films; Focus Features

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

JENNIFER ANISTON
CAKE

FELICITY JONES
THE THEORY OF EVERYTHING

JULIANNE MOORE
STILL ALICE

ROSAMUND PIKE
GONE GIRL

REESE WITHERSPOON
WILD

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

STEVE CARELL
FOXCATCHER

BENEDICT CUMBERBATCH
THE IMITATION GAME

JAKE GYLLENHAAL
NIGHTCRAWLER

DAVID OYELOWO
SELMA

EDDIE REDMAYNE
THE THEORY OF EVERYTHING

BEST MOTION PICTURE – COMEDY OR MUSICAL

BIRDMAN
Regency Enterprises and M Productions and Le Grisbi Productions; Fox Searchlight Pictures

THE GRAND BUDAPEST HOTEL
American Empirical Picture; Fox Searchlight Pictures

INTO THE WOODS
Disney; Walt Disney Studios Motion Pictures

PRIDE
Pathé Productions Limited, British Broadcasting Corporation, The British Film Institute and Calamity Films; CBS Films Inc.

ST. VINCENT
Chernin Entertainment; The Weinstein Company

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL

AMY ADAMS
BIG EYES

EMILY BLUNT
INTO THE WOODS

HELEN MIRREN
THE HUNDRED-FOOT JOURNEY

JULIANNE MOORE
MAPS TO THE STARS

QUVENZHANÉ WALLIS
ANNIE

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL

RALPH FIENNES
THE GRAND BUDAPEST HOTEL

MICHAEL KEATON
BIRDMAN

BILL MURRAY
ST. VINCENT

JOAQUIN PHOENIX
INHERENT VICE

CHRISTOPH WALTZ
BIG EYES

BEST ANIMATED FEATURE FILM

BIG HERO 6
Walt Disney Animation Studios; Walt Disney Studios Motion Pictures

THE BOOK OF LIFE
Twentieth Century Fox and Reel FX Animation Studios; Twentieth Century Fox

THE BOXTROLLS
Laika; Focus Features

HOW TO TRAIN YOUR DRAGON 2
DreamWorks Animation LLC; Twentieth Century Fox

THE LEGO MOVIE
Warner Bros. Pictures / Village Roadshow Pictures / RatPac-Dune Entertainment / Lego System A/S / Vertigo Entertainment/Lin Pictures; Warner Bros. Pictures

BEST FOREIGN LANGUAGE FILM

FORCE MAJEURE (SWEDEN)
Coproduction Office; Magnolia Pictures

GETT: THE TRIAL OF VIVIANE AMSALEM (ISRAEL)
Arte France Cinéma; Music Box Films

IDA (POLAND/DENMARK)
Phoenix film investments; Music Box Films

LEVIATHAN (RUSSIA)
(Левиафан) Non-Stop Production, Ministry of Culture of the Russian Federation of the Cinema Funds, RuArts Foundation; Sony Pictures Classics

TANGERINES (ESTONIA)
Allfilm

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE

PATRICIA ARQUETTE
BOYHOOD

JESSICA CHASTAIN
A MOST VIOLENT YEAR

KEIRA KNIGHTLEY
THE IMITATION GAME

EMMA STONE
BIRDMAN

MERYL STREEP
INTO THE WOODS

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

ROBERT DUVALL
THE JUDGE

ETHAN HAWKE
BOYHOOD

EDWARD NORTON
BIRDMAN

MARK RUFFALO
FOXCATCHER

J.K. SIMMONS
WHIPLASH

BEST DIRECTOR – MOTION PICTURE

WES ANDERSON
THE GRAND BUDAPEST HOTEL

AVA DUVERNAY
SELMA

DAVID FINCHER
GONE GIRL

ALEJANDRO GONZÁLEZ IÑÁRRITU
BIRDMAN

RICHARD LINKLATER
BOYHOOD

BEST SCREENPLAY – MOTION PICTURE

WES ANDERSON
THE GRAND BUDAPEST HOTEL

GILLIAN FLYNN
GONE GIRL

ALEJANDRO GONZÁLEZ  IÑÁRRITU, NICOLÁS GIACOBONE, ALEXANDER DINELARIS, ARMANDO BO
BIRDMAN

RICHARD LINKLATER
BOYHOOD

GRAHAM MOORE
THE IMITATION GAME

BEST ORIGINAL SCORE – MOTION PICTURE

ALEXANDRE DESPLAT
THE IMITATION GAME

JÓHANN JÓHANNSSON
THE THEORY OF EVERYTHING

TRENT REZNOR, ATTICUS ROSS
GONE GIRL

ANTONIO SANCHEZ
BIRDMAN

HANS ZIMMER
INTERSTELLAR

BEST ORIGINAL SONG – MOTION PICTURE

“BIG EYES” — BIG EYES
Music by: Lana Del Rey
Lyrics by: Lana Del Rey

“GLORY” — SELMA
Music by: John Legend, Common
Lyrics by: John Legend, Common

“MERCY IS” — NOAH
Music by: Patti Smith, Lenny Kaye
Lyrics by: Patti Smith, Lenny Kaye

“OPPORTUNITY” — ANNIE
Music by: Greg Kurstin, Sia Furler, Will Gluck
Lyrics by: Greg Kurstin, Sia Furler, Will Gluck

“YELLOW FLICKER BEAT” — THE HUNGER GAMES: MOCKINGJAY – PART 1
Music by: Lorde
Lyrics by: Lorde

BEST TELEVISION SERIES – DRAMA

THE AFFAIR
SHOWTIME
SHOWTIME Presents, SHELEG, HIGLEWATER

DOWNTON ABBEY
PBS
A Carnival Films/Masterpiece Co-Production in association with NBCUniversal

GAME OF THRONES
HBO
HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions

THE GOOD WIFE
CBS
CBS Television Studios with Scott Free Productions and King Size Productions

HOUSE OF CARDS
NETFLIX
Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

CLAIRE DANES
HOMELAND

VIOLA DAVIS
HOW TO GET AWAY WITH MURDER

JULIANNA MARGULIES
THE GOOD WIFE

RUTH WILSON
THE AFFAIR

ROBIN WRIGHT
HOUSE OF CARDS

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

CLIVE OWEN
THE KNICK

LIEV SCHREIBER
RAY DONOVAN

KEVIN SPACEY
HOUSE OF CARDS

JAMES SPADER
THE BLACKLIST

DOMINIC WEST
THE AFFAIR

BEST TELEVISION SERIES – COMEDY OR MUSICAL

GIRLS
HBO
HBO Entertainment in association with Apatow Productions and I Am Jenni Konner Productions

JANE THE VIRGIN
THE CW
CBS Television Studios and Warner Bros. Television in association with Electus

ORANGE IS THE NEW BLACK
NETFLIX
Lionsgate Television for Netflix

SILICON VALLEY
HBO
HBO Entertainment in association with Judgemental Films, Alec Berg, Altschuler Krinsky works, and 3 Arts Entertainment

TRANSPARENT
AMAZON
Amazon Studios INSTANT VIDEO

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY OR MUSICAL

LENA DUNHAM
GIRLS

EDIE FALCO
NURSE JACKIE

JULIA LOUIS-DREYFUS
VEEP

GINA RODRIGUEZ
JANE THE VIRGIN

TAYLOR SCHILLING
ORANGE IS THE NEW BLACK

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL

LOUIS C. K.
LOUIE

DON CHEADLE
HOUSE OF LIES

RICKY GERVAIS
DEREK

WILLIAM H. MACY
SHAMELESS

JEFFREY TAMBOR
TRANSPARENT

BEST MINISERIES OR MOTION PICTURE MADE FOR TELEVISION

FARGO
FX
FX Productions & MGM Television

THE MISSING
STARZ
New Pictures, Company Pictures, Two Brothers Pictures, Playground Entertainment, BBC

THE NORMAL HEART
HBO
HBO Films in association with Plan B Entertainment, Blumhouse and Ryan Murphy Productions

OLIVE KITTERIDGE
HBO
HBO Miniseries in association with Playtone

TRUE DETECTIVE
HBO
HBO Entertainment in association with Neon Black, Anonymous Content, Parliament of Owls and Passenger

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

MAGGIE GYLLENHAAL
THE HONORABLE WOMAN

JESSICA LANGE
AMERICAN HORROR STORY: FREAK SHOW

FRANCES MCDORMAND
OLIVE KITTERIDGE

FRANCES O’CONNOR
THE MISSING

ALLISON TOLMAN
FARGO

BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

MARTIN FREEMAN
FARGO

WOODY HARRELSON
TRUE DETECTIVE

MATTHEW MCCONAUGHEY
TRUE DETECTIVE

MARK RUFFALO
THE NORMAL HEART

BILLY BOB THORNTON
FARGO

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINISERIES OR MOTION PICTURE MADE FOR TELEVISION

UZO ADUBA
ORANGE IS THE NEW BLACK

KATHY BATES
AMERICAN HORROR STORY: FREAK SHOW

JOANNE FROGGATT
DOWNTON ABBEY

ALLISON JANNEY
MOM

MICHELLE MONAGHAN
TRUE DETECTIVE

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINISERIES OR MOTION PICTURE MADE FOR TELEVISION

MATT BOMER
THE NORMAL HEART

ALAN CUMMING
THE GOOD WIFE

COLIN HANKS
FARGO

BILL MURRAY
OLIVE KITTERIDGE

JON VOIGHT
RAY DONOVAN

FILM AWARDS: 2014 Asia Pacific Screen Awards (AUS)

The eighth annual Asia Pacific Screen Awards (APSA’s) was held in Brisbane, Australia on last night (Thursday).

2014 Asia Pacific Screen Awards — complete winners list

BEST FEATURE FILM
“Leviathan” (aka “Leviafan”) (Russia)

ACHIEVEMENT IN DIRECTING
Nuri Bilge Ceylan for “Winter Sleep” (aka “Kis Uykusu”) (Turkey, France, Germany)

BEST SCREENPLAY
Nima Javidi for “Melbourne” (Iran)

ACHIEVEMENT IN CINEMATOGRAPHY
Dong Jinsong for “Black Coal Thin Ice” (aka “Bai Ri Yan Huo”) (China, Hong Kong)

BEST PERFORMANCE BY AN ACTOR
Cliff Curtis in “The Dark Horse” (New Zealand)

SPECIAL MENTION BEST PERFORMANCE BY AN ACTOR
David Gulpilil in “Charlie’s Country” (Australia)

BEST PERFORMANCE BY AN ACTRESS
Lu Zhong in “Red Amnesia” (aka “Chuangru Zhe”) (China)

SPECIAL MENTION BEST PERFORMANCE BY AN ACTRESS
Merila Zareie in “Track 143” (aka “Shiar-E 143”) (Iran)

BEST YOUTH FEATURE FILM
“Sivas” (Turkey, Germany)

BEST DOCUMENTARY FEATURE FILM
“1001 Apples” (aka “Hezar-o yek Siv”) (Iraq)

BEST ANIMATED FEATURE FILM
“The Tale of The Princess Kaguya” (aka “Kaguya-hime no Monogatari”) (Japan)

UNESCO AWARD
Shawkat Amin Korki for directing “Memories on Stone” (aka “Bîranînên li ser kevirî”) (Iraqi Kurdistan, Germany)

JURY GRAND PRIZE
“Blind Massage” (aka “Tui Na”) (China, France)

JURY GRAND PRIZE
Rakhshan Banietemad for directing “Tales” (aka “Ghesseha”) (Iran)

FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region
Emile Sherman (Australia)

APSA Academy NETPAC Development Prize
Reza Dormishian (Iran)

FILM FESTIVAL: 2015 Sundance – Short Film Program

The Short Film program is presented by YouTube.

U.S. NARRATIVE SHORT FILMS

Actresses / U.S.A. (Director and screenwriter: Jeremy Hersh) — The film follows the relationship between a young, aspiring actress and an established off-Broadway star.

A.D. 1363, The End of Chivalry / U.S.A., New Zealand (Director and screenwriter: Jake Mahaffy) — A little-known historical catastrophe leads to the definitive end of the era of chivalry and questing.

Color Neutral / U.S.A. (Director: Jennifer Reeves) — A color explosion sparkles, bubbles, and fractures in this handcrafted 16mm film. Jennifer Reeves utilizes an array of mediums and direct-on-film techniques to create this exuberant, psychedelic morsel of cinema as material.

Dog Bowl / U.S.A. (Director and screenwriter: Gordy Hoffman) — A heartbroken girl spiraling through life stumbles upon the true nature of her existence after stealing the vest off of a service dog.

Hugh the Hunter / U.S.A. (Director: Zachary Heinzerling, Screenwriters: Zachary Heinzerling, Jesse Soursourian) — This fable, inspired by the artwork of Hugh Hayden, follows a fictitious hunter of the Scottish Highlands on a daylong quest to capture the elusive red grouse.

A Million Miles Away / U.S.A. (Director and screenwriter: Jennifer Reeder) — Melancholy as survival strategy: A woman on the edge of failing and a pack of teenage girls simultaneously experience a supernatural coming-of-age. The transformation unravels to the infectious beat of a heavy metal anthem rearranged as a lamentation.

Mulignans / U.S.A. (Director: Shaka King, Screenwriters: Shaka King, Kristan Sprague) — mulignan(s) /moo.lin.yan(s)/ n. 1. Italian-American slang for a Black man. Derived from Italian dialect word for “eggplant.” See also: moolie. Source: Urban Dictionary and pretty much every mob movie ever.

Myrna the Monster / U.S.A. (Director and screenwriter: Ian Samuels) — A heartbroken alien dreamer from the moon transitions into young adult life in Los Angeles just like any other 20-something.

Oh Lucy! / Japan, Singapore, U.S.A. (Director and screenwriter: Atsuko Hirayanagi) — Setsuko, a 55-year-old single so-called office lady in Tokyo, is given a blonde wig and a new identity, “Lucy,” by her young unconventional English-language teacher. “Lucy” awakens desires in Setsuko she never knew existed.

Pink Grapefruit / U.S.A. (Director: Michael Mohan, Screenwriters: Michael Mohan, Chris Levitus) — A young married couple bring two of their single friends to Palm Springs for a long weekend. It does not go as planned.

Rabbit / France, U.S.A. (Director: Laure de Clermont-Tonnerre, Screenwriters: Laure De Clermont-Tonnerre, Brady Corbet, Mona Fastvold) — A therapist working in tandem with a correctional facility’s Pet Partnership Program entrusts a small rabbit to a female prisoner. In the confinement of her cell, will the inmate be able to transcend her circumstances and connect with the animal?

SMILF / U.S.A. (Director and screenwriter: Frankie Shaw) — A young single mother struggles to balance her old life of freedom with her new one as mom. It all comes to a head during one particular nap-time when Bridgette invites an old friend over for a visit.

Stop / U.S.A. (Director and screenwriter: Reinaldo Marcus Green) — A young man’s livelihood is put to the test when he is stopped by the police on his way home.

Superior / U.S.A. (Director and screenwriter: Erin Vassilopoulos) — A stranger passing through town sparks a teenage girl’s desire to distinguish herself from her identical twin sister. As one sister struggles to break free, the other insists on preserving their distinctive bond.

INTERNATIONAL NARRATIVE SHORT FILMS

Back Alley / France (Director and screenwriter: Cécile Ducrocq) — Suzanne, a prostitute for 15 years, has her turf, her regular johns, and her freedom. One day, however, young African prostitutes settle nearby, and she is threatened.

The Chicken / Germany, Croatia (Director and screenwriter: Una Gunjak) — The day-to-day life of a six-year-old girl growing up during unstable times in Sarajevo is shaken up when a chicken joins her family.

Daytimer / United Kingdom (Director and screenwriter: Riz Ahmed) — London, 1999: A young boy gives school and home the slip to attend his first daytime rave.

Followers / United Kingdom (Director and screenwriter: Tim Marshall) — Lynn, an elderly woman stricken with grief after her husband’s death, finds solace in an apparition of Jesus on the swimming trunks of a young gay man at her adult swimming class.

Great Northern Mountain / Sweden (Director and screenwriter: Amanda Kernell) — Elle, 78, doesn’t like Sámi (Laplander) people — even though she is Sámi. Pressured by her son, she returns north for her sister’s funeral. When she realizes he’s planned for them to stay with their relatives, Elle checks into a hotel.

Greenland / Israel (Director and screenwriter: Oren Gerner) — Oren packs his belongings at his parents’ house before moving in with his girlfriend. Through seemingly simple interactions, family dynamics are revealed. The house constitutes the space in which past, present, and future mix into a chronicle of separation.

Hole / Canada (Director and screenwriter: Martin Edralin) — A daring portrait of a disabled man yearning for intimacy in a world that would rather ignore him.

I am Hong Kong / China (Director and screenwriter: Flora Lau) — The recent Umbrella Movement, ignited by the youth of Hong Kong, shows how citizens’ passion and desire for a more fair and just future can bring about a peaceful but powerful social movement, despite criticism, defamation and attacks.

The Little Deputy / Canada (Director and screenwriter: Trevor Anderson) — Trevor tries to have his photo taken with his father.

Out of Sight / United Kingdom (Director: Nick Rowland, Screenwriter: Joe Murtagh) — To clear a debt with a loan shark, Martin, a recoverimg drug addict, agrees to lock a stranger in his spare room while they go cold turkey. As the days pass, Martin suspects something far worse is at play.

Russian Roulette / United Kingdom (Director: Ben Aston, Screenwriter: Oli Fenton) — London becomes a little less lonely when Lucy meets a libidinous cosmonaut on Chatroulette.

Saturday / United Kingdom (Director: Mike Forshaw, Screenwriters: Mike Forshaw, Greg Forshaw) — April 15, 1989: A soccer match changes Liam’s life and the city of Liverpool forever… This fictional account relates how the Hillsborough Stadium disaster — which claimed the lives of 96 Liverpool supporters — unfolded for a family in Merseyside, England.

Spring / Mexico (Director and screenwriter: Tania Claudia Castillo) — Elba, an introverted, lonely 14-year-old, wants to bond with her sister Fernanda before she leaves home.

Take Me / Canada (Directors and screenwriters: Anaïs Barbeau-Lavalette, André Turpin) — A nurse working at a center for the disabled is confronted by his principles when he’s asked to accomplish a particular task.

VOLTA / Greece (Director and screenwriter: Stella Kyriakopoulos) — As a mother and daughter start out from downtown Athens, Greece, and head to the northern suburbs, little Nina thinks they’re simply going for a walk.

DOCUMENTARY SHORT FILMS

The 414s: The Original Teenage Hackers / U.S.A. (Director: Michael T. Vollmann) — In 1983, a group of Milwaukee teenagers gained notoriety when they broke into dozens of high-profile computer systems. The ensuing media frenzy terrified a nation previously ignorant of the capabilities of computer interconnectivity.

Abandoned Goods / United Kingdom (Directors: Pia Borg, Edward Lawrenson) — Patients committed to Netherne psychiatric hospital between 1946 and 1981 created an extraordinary collection of artworks in a pioneering studio under artist Edward Adamson. Abandoned Goods is a moving portrait of the little-known history of UK postwar asylum life.

The Collectors: Beekeeping / U.S.A. (Director: Steven Cantor) — Dennis van Engelsdorp, former state apiarist for Pennsylvania and current entomology professor at the University of Maryland, is worried that bees — a crucial part of humanity’s ecosystem — are dying.

Every Day / U.S.A. (Director: Gabe Spitzer) — At 86, Joy Johnson was the oldest woman to run the 2013 New York City Marathon. The story of an inspiring athlete with an uncommon passion for her sport, and for life.

The Face of Ukraine: Casting Oksana Baiul / Australia (Director: Kitty Green) — Adorned in pink sequins, little girls from across a divided, war-torn Ukraine audition to play the role of Olympic champion figure skater Oksana Baiul, whose tears of joy once united their troubled country.

Hotel 22 / U.S.A. (Director: Elizabeth Lo) — Each night in Silicon Valley, the Line 22 public bus transforms into an unofficial shelter for the homeless. This film captures one dramatic night on the “Hotel 22″ bus.

It’s Me, Hilary: The Man Who Drew Eloise / U.S.A. (Director: Matt Wolf) — This portrait of Hilary Knight, the artist behind the iconic Eloise books, sees him reflecting on his life as an illustrator and his relationship to his most successful work.

Making it in America / U.S.A. (Director: Joris Debeij) — A Salvadoran immigrant who fled to the United States as a teenager is now a single mother striving to build a future for her family in Los Angeles.

{THE AND} Marcela & Rock / U.S.A. (Director: Topaz Adizes) — Exploring the intimate spaces of modern-day relationships, THE AND is the best couples therapy session you’ll ever witness.

Midnight Three & Six / U.S.A. (Director: Joe Callander) — A mother awakens at midnight, 3:00 a.m., and 6:00 a.m. every day so her daughter will wake up in the morning.

Object / Poland (Director: Paulina Skibińska) — A creative image of an underwater search in the dimensions of two worlds — ice desert and under water — told from the point of view of the rescue team, of the diver, and of the ordinary people waiting on the shore.

One Year Lease / U.S.A. (Director: Brian Bolster) — In a story told almost entirely through voicemail messages, Brian, Thomas, and Casper endure a year with Rita, their cat-loving landlady.

Papa Machete / U.S.A. (Director: Jonathan David Kane) — Two hundred years ago, Haitian slaves defeated Napoleon’s armies with the same tool used to work the land: the machete.Papa Machete explores a martial art evolved from this victory through the practice of one of its few remaining masters.

Pop-Up Porno: f4m / Canada (Director: Stephen Dunn) — Pop-up Porno: f4m tells the story of a breast cancer survivor trying to reclaim her sexuality.

Pop-Up Porno: m4f / Canada (Director: Stephen Dunn) — A painfully ill Dutch Montrealer has to use the bathroom while his date is in the shower.

Pop-Up Porno: m4m / Canada (Director: Stephen Dunn) — A lonely traveler on a business trip to New York finds himself in a heated Grindr chat with his worst nightmare.

Serenity / U.S.A. (Director: Jack Dunphy) — An animated memoir recounting first love, addiction, losing one’s virginity, and turning to pizza in times of crisis.

Starting Point / Poland (Director: Michał Szcześniak) — Aneta rebelled at age 19 and wound up in prison for murder. Nine years later, her daily routine takes her from behind prison walls to a nursing home.

ANIMATED SHORT FILMS

Bath House / Sweden (Director: Niki Lindroth von Bahr, Screenwriter: Jerker Virdborg) — Six characters meet in a public bathhouse: the pedant bathhouse manager, a couple with a strange way of communicating and a gang with shady intentions. Something goes wrong.

Beach Flags / France (Director and screenwriter: Sarah Saidan) — Vida, a young Iranian lifeguard, is determined to be the one to participate in an international competition in Australia. However, when Sareh, who is as fast and talented as her, joins the team, Vida faces an unexpected situation.

The Horse Raised By Spheres / U.S.A., Ireland (Director and screenwriter: David OReilly) — Horse ponders his loneliness.

Mynarski Death Plummet / Canada (Director and screenwriter: Matthew Rankin) — A completely handmade historical micro-epic combining wartime aviation melodrama with classical and avant-garde animation techniques, Mynarski Death Plummet is a psychedelic photo-chemical war picture on the themes of self-sacrifice, immortality, and jellyfish.

OM Rider / U.S.A.(Director and screenwriter: Takeshi Murata) — In a vast desert bathed in neon hues, a misfit werewolf tears full speed ahead over forbidding terrain while his hoary counterpart awaits.

Palm Rot / U.S.A. (Director and screenwriter: Ryan Gillis) — An old Florida fumigator discovers a mysterious crate in the Everglades that ruins his day.

Storm hits jacket / France (Director and screenwriter: Paul Cabon) — A storm reaches the shores of Brittany. Nature goes crazy, two young scientists get caught up in the chaos. Espionage, romantic tension and mysterious events clash with enthusiasm and randomness.

The Sun Like a Big Dark Animal / U.S.A. (Directors: Christina Felisgrau, Ronnie Rivera, Screenwriters: Ronnie Rivera, Bernardo Britto) — A computer and a woman fall in love, only to be torn apart because of their inappropriate feelings for each other.

Symphony no. 42 / Hungary (Director and screenwriter: Réka Bucsi) — The film applies an unconventional narrative. It presents a subjective world through 47 scenes. Small events, interlaced by associations, express the irrational coherence of our surroundings. The surreal situations are based on the interactions of humans and nature.

teeth / United Kingdom, U.S.A., Hungary (Directors and screenwriters: Daniel Gray, Tom Brown) — Things of worth are often neglected in favor of that which is more immediately gratifying. Unfortunately, things that are neglected are often lost forever. In teeth a misguided and intensely focused man’s life is chronicled through his oral obsessions.

Tupilaq / Denmark (Director and screenwriter: Jakob Maqe) — The Tupilaq is both a symbol of the spirit of a forefather and a curse. This personal and moving short film revolves around the themes of cultural alienation, abuse and the contrast between mythological greenlandic nature and western urban culture.

Two Films About Loneliness / United Kingdom (Directors and screenwriters: William Bishop-Stephens, Christopher Eales) — A split screen separates the worlds of Jonathan Smallman, who is recording his online dating profile, and Philip Button, Internet chef and hamster, who is noisily recording his new cooking video.

World of Tomorrow / U.S.A. (Director and screenwriter: Don Hertzfeldt) — A little girl is taken on a mind-bending tour of the distant future.

Short Film Woes and Worries

Entertainment lawyer Christopher Schiller takes a legal look at the trials and pitfalls of making short films.

Short Film

Short films are easy, right? I mean, they’re just like the real thing only shorter, cheaper. Nothing could be further from the truth. In fact, short films can be seen as a concentrated concoction of every problem and concern that a full length feature has to deal with, just in a compact size and budget. And I should know. I’m in the midst of production for another short film of my own. So I’m taking this opportunity to address some of the business and legal aspects of producing a short film to help you over the woes and through the worries we’ll likely encounter along the way.

Begin before you begin

A tendency of short filmmakers is to not put much thought and effort into the early stages of development, especially if they have knowledge or experience of longer form works. That’s a mistake. The realities of short films are that there are a lot of them out there. It’s hard to get noticed among the sea of choices and it’s incredibly hard to make money (it is possible) or bolster your reputation if you can’t differentiate your short film from all the rest. Putting deliberate thought into the planning of any film activity regardless of the length will always pay off as a worthwhile effort.

Script Mag | Read the Full Article

How Mister Rogers Saved the VCR

In 1984, a landmark case laid down a controversial law regarding technology and copyright infringement. Here’s a look back at the “Betamax Case,” including the role Mister Rogers played in the Supreme Court’s decision.

Mr Rogers

For many years in the pre-DVD, pre-streaming era, the Betamax, Sony’s prototype videotape player-recorder, was a punch line. A piece of technology that was quickly superseded by the VCR VHS, it limped along in the shadows for two decades. And yet, it was the Betamax that gave name to a court case that has played a pivotal role in both technological progress and copyright law over the last thirty years.

Like many other cool electronic products, the Betamax came from Japan. In late 1975, it was introduced to the U.S. by Sony, who touted its ability to “time-shift” television programming. In an era when most viewers still had to get up off the couch to change channels manually, this innovation was as futuristic as it sounded. Record a TV show right off the air? Are you kidding?

If the public was wowed by the idea, the major entertainment corporations were not. Universal Studios and Walt Disney Productions filed a lawsuit in 1976 to halt the sale of the Betamax, claiming that film and TV producers would lose millions of dollars from unauthorized duplication and distribution of their copyrighted content.

Mental Floss | Read the Full Article